INSCRIPTION, ENDURING, POTENTIAL (expanded cinema performance)

found footage, super8 projectors, loop tape, microcassette field recordings, pedals Conceptual, improvisational expanded cinema and sound performance

The performance centers on gesture as holder of subtle cultural memory and history, which could point to the body as an anthropological and sociological archive. Through physical habits, routines and automatisms rooted in the historical societal landscape, the body possesses information and expresses knowledge of deep cultural implication.

"Gesture is the name of this intersection between life and art, act and power, general and particular, text and execution. It is a moment of life subtracted from the context of individual biography as well as a moment of art subtracted from the neutrality of aesthetics: it is pure praxis. The gesture is neither use value nor exchange value, neither biographic experience nor impersonal event: it is the other side of the commodity that lets the “crystals of this common social substance” sink into the situation." (Giorgio Agamben)

The images are sourced from self-collected home movies (of autoethnographic origin) and deconstructed, trapping body movement or posture into short, unpredictable set of images, continuously re-arranged. The main guide is a sonic tape loop on 4 channels. The material, filmic as well as sonic, is used as open structures which can be manipulated and reacted to in real-time.

This is a fragment of her long-term fluid film project OTHER.

SPACE residency

For this version Dr Andrej Mircev joined the performance, adding slides of found material. We were looking to establish situations in which the film is spatialized for this specific room, build some kind of scenography, and how the slides and the films can be juxtaposed without losing their power or be just a doubling of meaning. That was achieved by the installative set-up of two hanging sheets which acted as surfaces for screening. They divided the room diagonally and allowed for each element to be on opposite sides, having some autonomy and acting as a reflection to one another. It consumed the space of the audience, as well, so they would have to enter the site and walk around to see the whole performance.

69. INTERNATIONALE KURZFILMTAGE OBERHAUSEN - Expanded: SPECTRAL, part 1

Against the tyranny of content streams and for the communal cinematic experience: Oberhausen continues its focus on expanded and analogue cinema. Following the hugely successful Celluloid Expanded shows in 2022, a new three-part series featuring SPECTRAL labs will be launched in 2023. SPECTRAL (Spatial Performative & Expanded Cinematics – Transnational Research at Artist-run Labs) is a partnership of six European artist-run film labs – Baltic Analog Lab (Riga), Laia/Torre (Porto), Crater-Lab (Barcelona), Mire (Nantes), Filmwerkplaats (Rotterdam) and LaborBerlin (Berlin) – whose goal is to support the creation of new works of live analogue cinema. Every year, two of the SPECTRAL labs will select and present pieces of expanded cinema art in Oberhausen, starting with LaborBerlin and Filmwerkplaats in 2023.

April 29, 11pm
LABORBERLIN PROGRAM
curated by Ricardo Brunn

DISTANT FEELER, Ojoboca (Anja Dornieden, Juan David Gonzalez), slides, live spoken sound, 2023
PLANT TIME, Luisa Greenfield, 16mm loop, live spoken sound, 2021
INSCRIPTION, ENDURING, POTENTIAL, Maja Milić, Super 8, live sound, 2023

KLUBVIZIJA: OPEN LAB @ Pogon Jedinstvo - Big Hall, Zagreb

The Klubvizija experimental film laboratory in Pogon Jedinstvo is organizing Open Lab - the largest darkroom in the world, in which, after a long time, all Klubvizija’s equipment will be gathered in one place. The laboratory will be open to the public through a series of workshops and evening screenings to present and demystify the medium of 16mm analogue film.

VIDEOAKTION 3, Raum für drastische Maßnahmen, Berlin (attaquer le visible), 01.10.2022

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